I'll let all you music-lovers in on a bit secret: we professional musicians do not have much use for the phenomenon of the Child Prodigy. As a trainer who accepts youngsters (technically for voice lessons, although I spend the vast majority of the lesson time on theory and ear training/diction-which really helps kids that have speech impediments that their guardian's don't tackle), the very first thing I do is have a REAL dialog with the mother and father concerning the expectations that are affordable for a ten yr previous voice.
And not as a result of my teacher does not want me to, however as a result of a very clever trainer of mine prior to now defined to me that it's a must Commercial Voice Over to cater to the limitations of your voice. I'm finishing my DMA in Voice this semester and hoping to make a profession of each singing opera and concert repertoire and teaching both privately and in a college setting.
One other analogy is that younger ballet dancers should wait until their feet are prepared earlier than they are allowed to placed on pointe footwear. I'm 19 years old, getting my diploma in Classical Voice with an emphasis on Opera and I am not even allowed to SUPPOSE about singing Puccini or Verdi. Although young voices will be educated it must be performed with EXCESSIVE care and not bearing on heavy repertoire until the voice has had time to mature. I was a prodigy at many things, singing included, and had a miserable time as soon as I lastly received into school. However, he may sing with no break in his voice and his sound was actually nice.
I was also taking piano lessons whereas singing so I had that musical basis to fall again on. I grew to become a voice major at a well acknowledged university and my voice took a beating. Nevertheless, the comment that 'no one argues about this' could unfortunately be unfaithful, as i've now unhappily seen a number of movies of younger 9 year outdated ballerinas performing en pointe. I take pleasure in watching genuine young talent and even unusual maturity - especially inside a real love of an artwork kind. Jackie is an interpretive genius, in response to voice specialists who have labored with her.
My singing is pretty awful, I try not to inflict it on individuals and I do not like singing in public - especially hymns, you seem to be going alongside OKAY in your 'comfort zone' range then abruptly it is all too excessive and you need to decrease your voice an entire octave(?) to try to get back on track. I let you know I haven't got to be an awardee such as you however I actually take pleasure in singing within the church choir. I turned so self acutely aware about my voice that even when not beneath instructions to mime I usually did.