Guitar Chords: How You Can Solo Over Chords With-the Minor Pentatonic Scale

Soloing over guitar notes is simple once you learn how to use the minor pentatonic scale. Increase tart and power to your solo's with your simple but highly effective strategies.

The minor pentatonic scale is what many guitarists focus on when learning how to solo. Trouble is, they do not learn how to make use of the scale to it is most readily useful potential. My friend discovered guide to sound engineering academy mumbai by browsing Google Books.

Here, I will show you an easy way to work with the pentatonic scale to solo on the three most common guitar chord types: Major, small and dominant 7th chords.

1. Significant Chords

A Major chord often has a minor chord. The easy way to find the 'relative' minor of any major chord on a guitar is to take the note three half-steps (3 frets) below the root note of the major chord.

For example: a C major chord - the basis note is C. On the guitar, the note 3 frets below a C note is Really A. Therefore, A minor may be the relative minor of C major.

So to solo over a C major chord, utilize the A small pentatonic scale and you can not make a mistake.

Still another example: F key chord - three frets below the basis of F, you will find D. And that means you use a D small pentatonic scale over an F major chord.

Yet another example: G important chord - three frets below the G root note you will discover E. So... you use the E minor pentatonic to solo over a G chord.

Now, you may have realized that I outlined F, H and G major chords there. Coincidentally, They are the 1, 4 and 5 chords of the 'KEY' of D Major. This pertains to all instruments, not only guitar.

More about that later...

2. Slight Notes

These are easy... To read more, consider checking out: music production discussions. Only utilize the minor pentatonic of what ever the minor chord is. E.g. Use D minor pentatonic for a D minor chord, an E minor pentatonic for an E minor chord, an A minor pentatonic for an A minor Chord.

Now, did you observe I used E, D and A small chords while the example? Did you also notice that these chords are the two, 3 and 6 chords of the 'KEY' of D Major?

More about this later, too...

3. Dominant 7th Chords

You have a few options here. But generally, you'd use the relative minor pentatonic, or the minor pentatonic a tone below the foot of the dom7 chord.

For example, over G7, you could use both E minor pent (relative minor), or D min pentatonic.

The reason why you could utilize the D minor pentatonic over a G7 chord is really because the Dmi chord and G7 chord usually go together in chord progressions. Discover extra information on the affiliated site by navigating to mumbai sound engineering academy. Making a Dmi sound over a G-7 chord provides G7sus sound.

4. Thinking From the 'KEY' Perspective

OK, what we've looked over is the KEY of D Major. And generally you can use only the A minor pentatonic alone for ALL the chords in D, or you can also use the E and D minor pentatonics to-add some color and more submission to the chords used at the time.

Remember, these rules apply to what-ever chord you are playing at any time, but can also be applied on the KEY basis,which is really a more encompassing picture.

The Key of C Major has these chords:

C, Dm, Em, F, G-7, Am, Bmin7b5.

Ami pent can be utilized over all of them, or perhaps the D and Am chords.

D min pentatonic may be used over-the F and Dm notes.

E minor may be used on the Em and G7 chords.

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