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GL: You also seem bored by the endless repetition of the identical outdated arguments of the lay-experts about the flatness of the MP3 clatter, the supremacy of the record player sound and the higher quality of different compression standards. at all does this stupor indicate? Simon Reynolds refers to you surrounded by his Retromania book, which offers by means of pop cultures dependancy to its personal past. Reynolds is a traditional British music presenter, a gentle cultural research guy, not a hardcore techno-materialist. yet, he usually refers to the MP3 and the digitization of music as the rationale why the music trade is stuck surrounded by its personal previous. reminiscence has confirmed to adhere to trap. anything was as soon as seen as a rich, ever-growing collection of kinds and surrounded byfluences one could construct-upon is presently lowered to a random assortment, dpersonalloadable within mutes.